Dido and Aeneas
(1989) Pulp painted handmade paper

Dissolution of Freddie, The
(1987) Strathmore Espirit and UV Ultra text sheets with Strathmore end sheets; hard cover with Strathmore Charcoal paper.

X
(1988) Speckletone text with Canson and Strathmore flysheets; hardcover with Grobgewebe cloth.

Book of Sand
(1988) Courtesy of Tony Zwicker. The book infrastructure is a box (5 cm. x 135 cm. x 195 cm.) made from Ipe, a hardwood from the state of Maranhao. The (disinfected) sand comes from the beaches of Bahia and the lake at Estancia Jatoba', in the interior of Sao Paulo. Bovine horn from Mato Grosso was used to handcraft the implement which produces the book's "pages." Hand-painted pure silk has been stitched for the implement's purse. The lambskin parchment on the back of the cover was imported to Brazil from Greece.

Small Deaths at Dawn
(1987) Relief line engraving and letterpress on handmade paper

Understanding
(1988) Letterpress, pop-up letters, accordion limited edition book.

Forms of Recollection: Stacked
(1989) Mixed media on books with found objects

Everyday Road Signs
(1988) Silkscreen/offset

Tunnel Book
(1988) Silkscreen

Ashes: The Effect of Fire on Paper
(1981) Mixed media

Dust
(1989) Mixed media, silver gelatin prints

Matches
(1984) Mixed media, silver gelatin prints

Study for Matches
(1984) Toned-Silver Gelatine Prints

Her Six Difficulties and His Small Mistakes
(1988) Royal Watercolor Society Cotman handmade paper from Hayle Mill in England; 18 pt. Goudy Bible Type; relief prints; (binding: pattern papers designed by printer, black oasis goatskin-box; dutch liner).

Walls, Stairs, Bannisters, Project Studios One
(1986) Color photographs, museum board, book cloth

SE 1/4 Section 6, Township N. Range 21 W of the 5th Principle Meridian 160 Acres: Landscape of Hope and Despair
(1989) Numbered; -- Offset, Duotones, 100 lb. Quintessence Cover, Die cut, edition of 350 Lettered; -- Handmolded paper cover, tipped-in title piece, fabric-covered covers, accordion fold hinge with vellum inset -- offset "pages," edition of 26

Pugillares: Kung Tien
(1988) Intaglio, drawing and collage on paper; nylon cord

Pilysses
(1989) Frayed bookcovers, faded prints, bits of stained metal, goldleaf, wax and old fabrics -- found and brought together

Cookbook for the Energy Conscious
(1985) Color Xerox and Letterpress (title page only) on Rives Heavyweight and Rag Bond (cover page)

Excavated Readymade
(1988) Acrylic and paper

Le Dejeuner Sur l'herbe
(1988) Mixed media (xeroxed material, oils, eggs, twigs, foam, flatware, cardboard box)

This Meal Does Not Contain Pork
(1982) Pencil, pen and ink and collage on paper

Three Sheets in the Wind
(1988) Courtesy of Tony Zwicker. Letterpress, rice paper, wood sticks, string

Book and Box
(1987) Pine and Torinoko Paper

Passages
(1989) Twelve mixed media paintings on paper treated with resin and sand. Twenty two paintings in silver acrylic. Accordion bindings. Cover in stone, acrylic paint and resin. Signed

Solomon R. Guggenheim
(1989) Photographs by Ted Cronin with text on 24 pages. Black oasis leather with blind tooling. Signed.

Yellow
(1987) Colored pencil, collage, mixed media on 100% rag board

Billy
(1989) Paper

Polar Projections IV
(1986) Ink, watercolor, graphite, gold drawings on D'Arches Buff. Bound with goatskin and acrylic resin.

Venom
(1988) Rives BFK and bark paper for interior and binding of book cloth and snake skin with burlap slipcase.

Scales & Weights by Todd Moore
(1986) Hand set Spectrum type from the Mackenzie & Harris typefoundry and printed on a Vandercook sp-15 proof press on Monadnock text paper.

Scales & Weights by Todd Moore
(1986) Hand set Spectrum type from the Mackenzie & Harris typefoundry and printed on a Vandercook sp-15 proof press on Monadnock text paper.

SE 1/4 Section 6, Township N. Range 21 W of the 5th Principle Meridian 160 Acres: Landscape of Hope and Despair
(1989) Numbered; -- Offset, Duotones, 100 lb. Quintessence Cover, Die cut, edition of 350 Lettered; -- Handmolded paper cover, tipped-in title piece, fabric-covered covers, accordion fold hinge with vellum inset -- offset "pages," edition of 26

Posada Theatre
(1987) Linoleum cut and letterpress on handmade paper.

Venom
(1988) Rives BFK and bark paper for interior and binding of book cloth and snake skin with burlap slipcase.

A Journey to Mexico
(1988) 2-tray box with limp book and found objects, board, gesso, bark paper, color xeroxes, varnish, linoleum cuts, hot stamping.

Greeting from Palermo
(1986) Paper, cardstock, color-xerox.

Plastic
(1986) Styrofoam forms, plastic utensils, presstype

Joni Mabe's Museum Book
(1988) Offset printed at Nexus Press in Atlanta, Georgia, spiral bound

"Where……." (II)
(1986) Manufactured sketchbook, die-cut

44
(1989) Paper, wood, silk-screen, die-cut

More Gaudy Nights
(1988) Mixed media; gouache, crayon paintings, gold tooling, and collage with a concertina binding. Housed in a box.

Memory Loss
(1988) Four colors offset on 65# Mohawk Superfine Cover, accordion fold, glued into black embossed covers. Hand assembled by the artist.

MICA Book
(1989) Mica, inscription filled with ink, paper, watercolor

SelFishualized: A Guide for Marshmallows
(1987) Rives BFK, xerox transfer, watercolor, letterpress

La Princesse de Babilone by Voltaire
(1987) Full calf, Morocco leather brown-red, top edge gilt, hand-sewn headband, decorated with leather onlays, blind stamping and hand gilt.

Les Physiciens by Durrenmatt
Full parchment binding, calf parchment with veins in order to show the texture of the binding material, an underlay in black was placed under the parchment.

Search for a Gollywog
(1988)

Cycle of Life
(1989) Photographs, xerox, and found imagery

Typographic Topiary III
(1987) Mixed media (cast paper, gouache, colored pencil, letterpress)

Memories Revisited
(1988) Handmade paper, photographs, collage elements (lace, thread, ribbon, etc.) etching, relief

So Have a Canary!
(1987) Pen and ink, xerox, ribbon, watercolor, rubberstamps, collage, rice paper, one-ply Strathmore, found object, construction, bird seed.

Weight of Art History, Rembrandt Volume, The
(1988) Handmade paper, oil and encaustic, gold leaf, and powdered pigment

Kali Poem Book #2
Mixed media on paper

SHOE-FIELD DiskART
(1989) Copy machine, mylar, color paper, coverstock, diskette

Album
(1985) Palladium printed photographs from antique glass negatives, hand made paper, ribbon, silk thread, flower sprays and petals, calling cards, dance cards, valentines, old candy wrappers, place cards and newspaper clippings.

Same, The
(1986) Handmade and reconstructed paper from leaves, tickets, labels, stamps, photographs, cards and maps. Original text.

Cookbook for the Energy Conscious
(1985) Color Xerox and Letterpress (title page only) on Rives Heavyweight and Rag Bond (cover page)

Amanda's Papers
(1987) Dos-a-dos, grape-colored Morocco binding with onlays in silver kid and blue and aquamarine goat leather, silver and white tooling, silk double French headband.

Pierre-Ducien Martin Volume #2
(1989) Limp leather bindings with onlays. Black calf, Morocco onlays, gold-tooled title, leather headband, Japanese end-papers.

Bill deKooning's Bicycle Seat Meets Post-Modern Politics
(1989) Letterpress and screenprint on the artist's own handmade paper with screenprinted plastic attachments.

Posada Theatre
(1987) Linoleum cut and letterpress on handmade paper.

Small Deaths at Dawn
(1987) Relief line engraving and letterpress on handmade paper

Scalembric
(1989) Miscellaneous media includes a variety of color papers, black string, orange cord, water color and gouache, permanent inks, found and created collage, beads, brass fastener, and more.

Homo Futurus
(1986) Offset

Book/Box Construction III
(1989) Mixed media, collage, paint, pastel, handmade paper, machine stitching, wood leather

For Whom the Bell Tolls by Ernest Hemingway
(1988) Goatskin and calf

Structure of the Mind I
(1986) Handmade paper, dyes, aluminum, cast "M"s, mixed media/employing chance operations.

Crocks
(1989) H.M.P. gouache, pen ink, goldleaf, leather

Eternal Ice #2: Frozen Pages
(1988) 10 Kodalith images between acrylic panels which fold. On revolving stand.

Nude in French Painting, The
(1987) Color plates set against paper from the Imago Paper Mill. The cover is made of cement and other materials. The accordion fold structure fits into a birch box.

Places
(1987) Cover is made of clay and ultra suede. Bound with silver colored cord. Paper is from the Imago Paper Mill.

Syntax Error
(1988) Computer generated images and drawings xeroxed on paper with additional hand coloring in ink.

Woman
(1989) Owned by Mr. & Mrs. Roger Hecht, Pepper Pike, OH. Book: Full vellum binding, gilding. Container: Sculptured board covered with calfskin, goatskin, pigskin.

Untitled in Yellow Bookcase
(1988) Vellum paper, photo copies, bound book, wheat paste.

Cooper Books
(1988) Thin sheet cooper, crumbled paper

Preserved Book Series 4
(1988) Bottle, paper, sand, wood

Bindings [example 1]
(1989) Boxed sketchbook Strathmore sketch/water color paper bound and boxed in hand marbled Noisy Crow paper (oil and turpentine) with a double letter c.

Bindings [example 2]
(1989) Guard book for pictures of icons/Hand-bound 5 signatures of 4 pages in Noisy Crow papers (acrylic)

Bindings [example 3]
(1989) Notepad bound in Noisy Crow paper marbled in a contemporary version of Spanish Wave (acrylic on art paper)

Boxes covered [example 1]
(1989) Basswood box interior acrylic paint covered with Noisy Crow paper of multiple marbling to produce a "stone" surface

Boxes covered [example 2]
(1989) Basswood Jewelry box/Interior acrylic paint covered with Noisy Crow paper of "stone" surface containing 12 fold marbled paper earrings of the same paper

Boxes covered [example 3]
(1989) Playing card box with score pad/Interior acrylic paint covered with Noisy Crow paper combed in a traditional pattern, brass hinges

Notecards
(1989) Six assorted notecards of Poseidon paper with envelopes, Noisy Crow papers tipped on

In Search of Paradise -- Night Vision
(1989) Computer digitized photographs printed in ink on Japanese paper, wooden scroll handles, PVA painted Davey board enclosure with electronics.

Kinder Capers by W.D. Snodgrass
(1986) Letterpress printed Optima type on Whatman paper

SE 1/4 Section 6, Township N. Range 21 W of the 5th Principle Meridian 160 Acres: Landscape of Hope and Despair
(1989) Numbered; -- Offset, Duotones, 100 lb. Quintessence Cover, Die cut, edition of 350 Lettered; -- Handmolded paper cover, tipped-in title piece, fabric-covered covers, accordion fold hinge with vellum inset -- offset "pages," edition of 26

I Can Count No More
(1987) Papers, board, colored inks, marker, cord

Letter to an Unknown Lover
(1987) Papers, board, colored inks, graphite, cord

Letter to Danielle
(1986) Papers, board, colored inks, marker, cord

Silent Garden 4
(1988) Paper, photographic silver prints on linen, fabric

Dido and Aeneas
(1989) Pulp painted handmade paper

Dido and Aeneas
(1989) Pulp painted handmade paper

Transition Event
(1988) Xerox, mixed media

How To Sing
(1989) Handmade paper, board, leather, cassette tape

Skyride
(1989) Paper, etching (color, collaged), string, glue

Kinder Capers by W.D. Snodgrass
(1986) Letterpress printed Optima type on Whatman paper

Recall of the Soul
(1988) Old and New Vellum, watercolor, collage and gold ribbon