Sahara, The Longest Desert in the World
(1977) 3 pages, sand in vinyl

Sahara, The Longest Desert in the World
(1977) 3 pages, sand in vinyl

Ovid's Medea
(1979) Handprinted on handmade papers, with etchings and engravings by Jane Marshall. Edition of 30 copies and 4 proofs.

Aloha, Evelyn
(1975) 9 folded pages. Rubber stamps, epilogue on fan.

Bound Book
(1976) Book, rope, paint and wax.

Dance Lesson, The
(1977) Rubber stamps on 16 paper footprints.

Pier 48
(1976) 8 original photographs by Andres Lander and David Meyer. 9 pages, rubber stamps.

Save Our Children
(1977) 5 folded pages. Rubber stamps, watercolor, glitter and cut-out.

Snapshots
(1975) Two folios with rubber stamped ink and hand colored images, color photographs in canvas envelope.

Snapshots
(1975) Two folios with rubber stamped ink and hand colored images, color photographs in canvas envelope.

Trick or Treat
(1977) 6 trick or treat bags with cookies. Typewritten text.

Nudes
(1979) Drawings, paintings, photographs in linen binding by Susan Share. (Binding 1979).

Vortex
(1979) Handmade Nepalese paper on zig-zag hinge, with diminishing cut-out.

Emerge
(1979) C prints

Submerge
(1979) C prints

Basketball Series
(1979) 7 Completed watercolors in a binding by Mindell Dubansky.

Book 3
(1978) Paper collages in japanese binding, linen cover.

Book 5
(1979) Paper collages in case binding, linen cover.

Binding for Stanley Moss' "Skull of Adam"
(1979) Sewn case binding with linen spine, hand made paper cover with stitching.

Elvis Book
(1977) Embroidered book of photographs in a blue suede shoe box.

Erie Shore Letters, The, by Timothy Cohrs
(1977) Designed, handset, printed and bound on his handmade papers by artist

Ofaginzies Abatoir by Timothy Cohrs
(1979) Published by Purgatory Pie Press, New York. Letterpress, paper handmade by the artist; exposed cord, bound in torn paintings.

Western Fightin' Mens, a serial by Timothy Cohrs
(1978) Pack of cards designed, handset, printed and boxed by artist

Book of Chevrons/One hundred original chevron designs in color
(1979) Designed and screen printed by artist; binding of Nigerian goatskin with onlays designed and executed by Bruce Schnabel

xxx's
(1979) Acrylic on paper, linen box for triptych folding pages bound by Antonia Weil.

Book design for "Minsky in London"
(1979) Cover caricature by Gerald Mynott, back cover photograph by Richard Minsky.

Earthwatch No. 2
(1979) Drawing and painting with roplex, wax and collage

In and Out
(1978) Book, drawing and collage.

Dabblers in Ink and Self-Admiration
(1979) Wood-engraving

On the Making of Modern China
(1979) Wood-engraving and original wood block

Silmarillion
(1977) Wood-engraving

Zucchini II
(1978) Wood-engraving

A portfolio of ten handmade flax and linen papers
(1977) Portfolio constructed by apprentices at Center for Book Arts.

Reasons for the Sky by Jim Hanson
(1979) Handset in Plantin and Libra types by Alastair Johnston and Allan Kornblum

Vodka and Roses by Michael Irene Welch
(1978) Designed by artist, handset and printed in Perpetua and Salem types by Laurie Nelson-Heern

April Diary
(1979) Laminations of various oriental and domestic papers, reversed writing, images with watercolor and color pencils. From the collection of Richard Minsky, New York, NY.

Fan Book
(1979) Concertina fold construction, fans folded out of various Japanese papers.

First Avenue Moth
(1979) Handmade paper, cutouts, watercolor, pastel.

Pocket Book
(1979) Book with mylar pockets, including stencils and fragments of old papers

Vortex
(1979) Handmade Nepalese paper on zig-zag hinge, with diminishing cut-out.

Air Mail Postcards by Franco Beltrametti
Printed in handset Optima by Liz Phillips. Edition of 320 copies, of which 26 are signed and hand colored by the author.

Train Ride by Ted Berrigan
(1978) Printed in Gill Sans type by Michael Uytenbogaart at Center for Book Arts.

Typings (1974 - 1977) by Christopher Knowles
(1979) Published by Vehicle Editions, New York. Offset: 3 colors.

Paper Quilts
(1979) Quilt patterns on handmade paper

North American Hand Papermaking
(1976) 2 volumes, accordion-style folding book. 31 sheets of handmade paper works, photographs and statements by artists.

Unicorn Tapestries, The by Margaret B. Freeman
(1977) Published 1976; Binding 1977. Work by apprentices at Center for Book Arts, commissioned by Metropolitan Museum of Art. Oasis goat, ivory horn hand carved by Nicholas Caraccio.

2 Openings
(1979) Mixed media in a binding by Mindell Dubansky.

Metropolis
(1979) Monoprints from color xerox on rag paper, collage, machine sewing, rubber stamps.

New York Burn
(1979) Monoprints from color xerox on rage paper, collage, machine sewing, rubber stamps.

Probe Detail
(1979) Monoprints from color Xerox, black and white copies and rag paper, collage, rubber stamping, machine sewn.

Across the Universe
(1978) Lithography and letterpress, words by John Lennon and Paul McCartney

I nearly died laughing
(1974) Printed on handmade papers with Bembo and Palatino types.

Ozzie's Box
(1978) Lithography and letterpress

A Bug Book, Pictural Insect Specimens
(1979) Original gouache paintings color Xeroxed on Wooky Hole paper, dry-mounted on Roma (Fabriano) paper with subtle ink graphics. Title page tooled with black foil with dry-mounted Xerox cartouche. Nigerian goatskin binding, Nigerian goat and reverse Nigerian goat only, damp-scribed. Red silk embroidered headbands.

Gilder's Notes
(1978) Gold-tooled drawings on Roma paper, pieced Nigerian goatskin binding, scribed.

notes from the Etymologist's Journal, I.
(1979) Color Xerox of gouache paintings and collage mounted on Roma paper, Nigerian goatskin binding with onlay, damp scribed.

notes from the Etymologist's Journal, II
(1979) Color Xerox of gouache paintings mounted on Roma paper, Nigerian goatskin binding with onlay, tooled with colored foils and in blind.

Notes from the Etymologist's Journal, III
(1979) Original gouache paintings and collage color Xeroxed on T. H. Saunders Wooky Hole mouldmade paper. Title page tooled with black foil. Binding is Nigerian goatskin with dyed Nigerian goatskin onlay, blind tooled. Glass seed beads sewn through perforations in leather-covered boards. Turquoise silk embroidered headbands.

Miscellaneous Poems, by Andrew Marvell
(1979) (Binding 1979). Linen, leather parings, pva, snap fasteners

Silence, by John Cage
(1979) Folding wrapper, collage.

Sequence 3
(1979) Ink drawings in linen binding by Hedi Kyle

Almanach Du Printemps Vivarois, a long poem by Hayden Carruth
(1979) Univers monotype on Fabriano papers, edition of 200 numbered and signed copies

If Birds Build With your Hair, a group of seven poems by W.D. Snodgrass
(1979) Univers monotype on BFK Rives, Edition of 200 numbered and signed copies.

Quiet of the Land, The, a group of six poems by William Stafford
(1979) Handset Optima on Fabriano papers, edition of 200 numbered and signed copies.

Sleep Tight, a short story by James Purdy
(1979) Univers monotype on handmade Umbria and Finnish felt, with an illustration by the author. Edition of 100 numbered and signed copies.

30,000 References I
(1978) Mixed media

30,000 References III
(1979) Mixed media

30,000 References IV
(1979) Mixed media

Almanach Du Printemps Vivarois, a long poem by Hayden Carruth
(1979) Univers monotype on Fabriano papers, edition of 200 numbered and signed copies

If Birds Build With your Hair, a group of seven poems by W.D. Snodgrass
(1979) Univers monotype on BFK Rives, Edition of 200 numbered and signed copies.

Quiet of the Land, The, a group of six poems by William Stafford
(1979) Handset Optima on Fabriano papers, edition of 200 numbered and signed copies.

Sleep Tight, a short story by James Purdy
(1979) Univers monotype on handmade Umbria and Finnish felt, with an illustration by the author. Edition of 100 numbered and signed copies.